Any experienced focus puller also called First Assistant Camera or 1st AC, won’t hold an opposing view of the fact that DSLRs already outweigh the pros of film camera on the production lines. And the admiration with which they’re released together with adopted is simply unbelievable.
Are you really concerned about all that obsession? What you are looking to is receiving a telephone call from a producer, grab the gig, make it to the set promptly, and there you go – do what you’re proficient at – pulling focus. It hardly is important what camera you decide to showcase your great talent.
You can find three creative ways when adapted, make focus pullers survive in the digital cinema they’re so keen on. Well, these adaptations may seem like going for a walk in the park for you personally, but don’t you forget all of them will play their respective role in your path leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are a few focus pullers who’re embarking on their journey leading to the planet of the digital cinematography currently. It makes suddenly so clear that they will undergo the right training. Moreover, they’ll become proficient when operating an electronic camera.
Are you in this game for a long time? Then it will not be the case. There are endless digital camera models that experienced a change from the grass root level. Simply because these cameras were apply by productions with a poor budget.
As time passed by, the format was adopted a higher amount of prominent Hollywood productions. So, it indicates there are several 1st ACs who have not much experience with digital. Their experience is almost next to none.
“In theory, there’s hardly any change in the job: Laying marks usually do not change, criticism still seems simple, and pulling focus is not smooth. But you need to comprehend a completely different set of technical information. Generally, it is advisable to grasp the fundamentals of how image sensors operate, which cameras shoot the various file formats and a lot more.”
You always must be prepared to deal with any problems (arising out of the blue). Maybe you won’t consider the idea of crack opening a digital camera to fix it throughout a shoot, it’s important for you to understand how it functions inside.
A focus puller should be the (go-to) technical person for several things pertaining to the camera.
Make a Sound Investment in Digital Specific Gear – The most obvious question people ask is what gear they ought to have within their toolkit. Well, it depends on what kind of a camera an individual uses to shoot on.
P.S – The tools which are useful for a film camera seem unique of the ones being used for a digital camera. Of course, there’s overlap, but you must know that there’s gear that is specific to one format.
Here are some items which focus pullers have within their bags which are stringently found in digital productions:
Audio Cables and Adapters
USB Lens Light
MEMORY Readers (SD and CF)
Well, it’s good to learn information that none of the above-listed items are essential on a film set, but they’re good stuff to have (just in case).
Looking to continue steadily to work in this industry? Then you need to make investments in the types of tools you need that can be used for digital cameras specifically.
3. No Need to Work with More Rehearsal Time – Likely to criticize me because of this one? Remember that I’m on your side no matter what. cinema distribution Not only do rehearsals play a very important role for focus pullers but they’re also essential to film crew. When you practice a shot, it not only helps you establish a flow but fix mistakes as well. Not just that, it’ll also assist you to shorten the time actually spent when shooting.
Ed Colman, an exceedingly talented cinematographer, once said: “While you are told to ‘shoot the rehearsal’ it’s not a rehearsal anymore.” But the undeniable truth (sounding unfortunate) is that rehearsals are becoming a priceless entity.
With digital cameras, both directors and assistant directors feel there’s no harm with regards to rolling on the rehearsals. Even producers think alike. So when the rehearsals are increasingly being rolled on by these experts, they would like to record it.
Has the footage been thrown set for being shot? Gets the slate been clapped? Well, you’re just about taking a plunge straight into Take One regardless of what you call it.
Want to sustain your existence in this industry for long? You then have to ensure that you pick up everything you need. You should even discover how to deal with the added pressure without rehearsals. However, you will have a constant dependence on rehearsals for certain shots. And you will see times when you can have one.
Don’t forget that there’s always be a desirable need for Focus Pullers or First Assistant Camera, and crew who’s well aware of the technical side of the camera are designed for it without hassles.
Ultimately, it’s you who has to judge how you’ll adapt you to ultimately the ever-changing industry.